publications
2024
a poem
Rising Phoenix Review
a poem
Rising Phoenix Review
an essay
Angel City Review
a poem
The Bangalore Review
"All That Can Wait"
short story
short story
Made In LA: Volume V
essay
High Country News
short story
Literary Mama
Cat's Cradle *nominated for 2023 Best of the Net
a poem
Rising Phoenix Review
Rising Phoenix Review
2022
an essay
Forty Fifty Women
an essay
High Country News
High Country News
poems with Hazel Kight Witham
Gathering: A Women Who Submit Anthology
a poem
Remembrance poems on the 80th anniversary of EO 9066
2021
an essay
Breathe and Push for Women Who Submit
an essay
Breathe and Push for Women Who Submit
poems
Nikkei Uncovered: poetry column
an essay
Breathe and Push for Women Who Submit
an essay
Breathe and Push for Women Who Submit
a poem
In Isolation: an anthology
short story
Made In LA: Volume III
an essay
Breathe and Push for Women Who Submit
a reading
Deschutes Public Library
an essay
Cultural Weekly
an essay
Breathe and Push for Women Who Submit
a haiku series
The Tiger Moth Review
a poem
The Tiger Moth Review
a poem
reprinted in Accolades: A Women Who Submit Anthology
the author's reading
"Vegas Indulgences"
an essay
Lady/Liberty/Lit
"How Do We Count Our Dead?"
a poem
Bitter Melon Poetry
"California"
an essay
Nasiona
"At Home in America"
an essay
Mom Egg Review Issue 18
the author's reading
2019
reprinted in Accolades: A Women Who Submit Anthology
the author's reading
"Vegas Indulgences"
an essay
Lady/Liberty/Lit
"How Do We Count Our Dead?"
a poem
Bitter Melon Poetry
"California"
an essay
Nasiona
"At Home in America"
an essay
Mom Egg Review Issue 18
the author's reading
2019
"Andy's Alliance"
image and short story
*82 Review
"Threatened Abortion"
an essay
Santa Fe Writers Project
"Lessons from the Picket Line"
an essay
Cultural Weekly
"A Family Photo"
image and short story
What Are Birds Journal
2018
"Not Your Job" after Caitlyn Siehl
a poem
Mutha Magazine
"Caged"
a poem
Queen Mob's Tea House
"Sacrifice"
a poem
The Rising Phoenix Review
"Gaps"
a poem
The Rising Phoenix Review
"Marbles"
a poem
The Rising Phoenix Review
"Late Night Phone Calls"
an essay
Santa Fe Writers Project
"Swing"
an essay
Thread
"Education in Resistance"
an essay
Entropy
"Why I Read Books By Women of Color"
an essay
My Lit Box
2017
"Open Gym"
an essay
East Jasmine Review
"Winter Ball"
as essay
Sky Island Journal
"A Short History of Insanity"
an essay
originally published by Meridian, reprinted by Lunch Ticket
"Camp Stories" & "Howl"
two poems
Kartika Review
"Final Days"
a poem
Linden Avenue
"Mother of All Bombs"
a poem
The Rising Phoenix Review
"Sarin Nightmare"
a poem
The Rising Phoenix Review
"Geometry"
an essay
Lady/Liberty/Lit
"Running from the Dark"
"Open Gym"
an essay
East Jasmine Review
"Winter Ball"
as essay
Sky Island Journal
"A Short History of Insanity"
an essay
originally published by Meridian, reprinted by Lunch Ticket
"Camp Stories" & "Howl"
two poems
Kartika Review
"Final Days"
a poem
Linden Avenue
"Mother of All Bombs"
a poem
The Rising Phoenix Review
"Sarin Nightmare"
a poem
The Rising Phoenix Review
"Geometry"
an essay
Lady/Liberty/Lit
"Running from the Dark"
an essay
Catapult
an essay
Compose
"A Short History of Insanity"
an essay
Meridian
a poem
The Rising Phoenix Review
a poem
The Rising Phoenix Review
a speech
The Huffington Post
an essay
Hippocampus
an essay
Specter
an essay
Hippocampus
As in the 1940s, We Are Asleep to Loss of Rights
A commentary originally published February 15, 2003 in the LA
Times.
When I was a child growing up in Oregon, I heard many stories of the
internment of Japanese Americans during World War II. I eavesdropped on
conversations and heard it mentioned casually as "camp" -- a time and
place sitting like a bookmark in the lives of my father and his brothers and
sisters.
"Was that before or after camp?" Uncle Steve would ask.
"No, I couldn't have been at Berkeley; we were in camp."
I try to imagine my father's family before it left for internment.
A big family with children everywhere, fluent Japanese flowing freely, the sun
streaming across fields of strawberries on the family farm in Azusa. The young
ones would go to Japanese school Saturdays and come home to find their older
siblings dropping by for a home-cooked meal of rice and vegetables. I imagine
the little ones looking up to their brothers, wondering what lay outside the
borders of their rural world -- in the city, the service or on a university
campus.
Then the war comes and the family scatters. Seeds, once planted
firmly in soil, wash across the globe. Those already in the service advise
those sure to be drafted, and my father's brothers end up serving in Europe,
the Philippines and Japan. Those not drafted flee to schools on the East Coast,
far from family but at least free. The rest land in camp.
Were things ever the same after camp? Did the family ever truly come
together again after the war? I wonder about these questions often. I always
wonder how people let this happen. I question the complacency of my ancestors.
How could they let something so unjust happen to them, to their neighbors? Now,
I'm afraid, I understand.
Since the Sept. 11 attacks, I've gained some understanding of what
it must have felt like to be a Japanese American in the days after Pearl
Harbor. I watched my sole Afghan student leave our school days after the
attacks without explanation. When we stood to say the Pledge of Allegiance each
morning, I would look at my remaining Middle Eastern students and hope they
were being treated decently on the buses and in their other classes. When I
asked them, they would only say, "Everything's fine." Whether that
was really the case, I don't know. However, I read in the papers and heard on
the news of terrible hate crimes occurring everywhere.
Days and months passed. We were asked to return to normalcy, and I
suppose most us did.
Now, as I sit in my cozy home, our country on the edge of war, I see
how my Japanese American relatives were relocated. I'm enraged by the concept
of homeland security, disgusted by our weakening civil rights laws, appalled by
the military campaign we are waging, yet I sleep soundly at night.
I commit to protesting the registration of Middle Eastern
immigrants. I'm Japanese American. We vowed: Never again. Yet I am just too
caught up in my day-to-day life to fight the crowds at the protests.
I convince myself, this weekend's rally is the big one. I'll carry
an antiwar, anti-racism sign and do my part -- but no one will go downtown with
me, and again I sit at home. Now, I see how my father and his family felt, how
the nation let it happen and how we're letting it happen again.
Noriko Nakada is a teacher at Emerson Middle School in Los Angeles.
copyright 2003 The
Los Angeles Times